Meticulously restored and updated, this farmstead in northeastern Mallorca is a masterclass in how nature-inspired minimalism can be the ultimate luxury.
In the entrance hall at the main farmhouse, a group of ceramic sculptures by the Mallorquín artist Jaume Roig take the floor beneath a painting by architect and co-owner Antoni Esteva.
The instantly eye-catching sculpture in the entrance hall and stairwell is by the Japanese-born, Mallorca-based artist Hiroshi Kitamura.
Throughout, the architecture blends elements of the old with contemporary touches.
In one of several lounge spaces in the farmhouse, original ceiling beams combine beautifully with simple wooden built-in seating and linen-covered cushions produced by local artisans. The bamboo mobile is by Laurent Martin Lo. Throughout, the architecture blends elements of the old with contemporary touches.
Lengths of organic hemp rope are used to screen off the sleeping area in one of the bedroom suites. Interior finishes and furnishings function to create an atmosphere of serenity.
The simplicity of the finishes means that artworks and craft pieces stand out beautifully.
Minimal and elegant, this casual lounge opens out onto beautifully landscaped gardens.
The meditation room, which was formerly a stable, is graced by a metal and glass mobile and made soft and inviting via layers of handwoven cotton rugs. Respecting its age-old forms, simple lines and honest materials – creates a feeling that is highly unobtrusive in its architectural style.
Respecting its age-old forms, simple lines and honest materials creates a feeling that is highly unobtrusive in its architectural style.
The estate’s main pool area combines a range of textures – including gradations of greenery, the soft gleam of the water, deep grey stone gravel and rustic hand-finished concrete – to exquisite effect.
A guest casita (cottage) sports its own plunge pool as well as lots of surrounding greenery that adds to the restful atmosphere while also creating privacy
architects — Antoni & Tomeu Esteva
words — Robyn Alexander
Photography —Greg Cox
